Yes, No, Maybe, and… What?

Lately I’ve been on a cleaning crusade.  Time to clip pictures from old magazines — recipes, too — and toss those past issues away. Time to go through the closets, put summer clothes away, and get ready for winter. Time to get ready for holiday celebrations with family and friends.

This holiday housecleaning also means tackling the mess around my art area — which has taken over a lot of our home. My easel, paints, and brushes reside in a corner of the kitchen, and as part of our recent straighten up and organize campaign, my dear husband replaced all the bulbs in the ceiling fixture. Let there be light… again! Yes, several bulbs were burned out, I could hardly distinguish brown from purple, and it’s little wonder I was feeling a bit discouraged with my painting efforts.

One of the biggest chores I face now as an artist is figuring out what to do with all the many, many canvases sitting around. My husband once remarked, “You’re an artist. Our walls should be filled with paintings.” I scoffed at the idea at first, but gradually as I complete more successful paintings — meaning ones that I like  many are being framed and hung on our walls. Others are being framed and put on display elsewhere throughout our community and surrounding towns. It’s still all a bit hard to believe, but I have paintings on display at community centers, art studios, banks, and health care facilities. Oh, my! How did this happen? Me? With paintings on display? I still shake my head in wonder at the thought.

But, as I so often do, I digress. So back to my little makeshift art studio and my efforts to sort through paintings. Good ones go on our walls or off for display. No difficult decisions there. The challenge comes, however, with all the rest of those canvases I’ve painted, the not so good ones. A lot of those not so good paintings still have memories attached, or they show promise of improvement. I can look at those not so good works of art and see potential. Do I really want to get rid of them?

It’s been a process of looking at each canvas and asking, “Do I keep this one?”

The answer has sometimes been “Yes, I like this. It might not be great, but it’s still one I want to keep.” Many of my earliest paintings are in this category, like the “Winter Scene” I painted in December, 2016, about two months after I first tried oils.

fotoflexer_photo

Other times, the answer is a resounding “No! Cover that up, and I’ll try something new with the canvas.” Paintings in this category and usually ones I’ve practiced with a bit, especially ones where I’ve attempted to add a building. The canvas served its purpose, I’ve learned from the experience, now it’s time to scrape away all that I can, cover it up with a solid color, and find a new use for the old canvas panel. That will be the fate of this Little Cabin in the Woods panting.

Little C

The most difficult decisions come when the answer is “Maybe. The painting isn’t good, but for some reason I’m attached to it. I can’t imagine painting over it.” I feel that way about Looking Toward the Lake — my first plein air painting experience. I’ll hold on to it for the memories. For now, at least. Maybe another time I’ll be ready to let it go.

Looking Toward the Lake - Framed

Recently, I discovered a new answer to the “Should I keep it?” question. I picked up one canvas, furrowed my brow a bit and scratched my head in puzzlement. “What the…?”

Here’s the painting, and I vaguely remember painting it:

What Was This

It is, obviously, another of the summer scenes I enjoy painting. I have a feeling I was learning about mixing greens and creating variations in the grassy area. But what are all those lines I’ve drawn on the painting? Did I draw those lines before I painted? Or afterward? Did I intend to use those lines as guides, going back and adding more lights and shadows? Some lines were apparently meant to be tree trunks. Others…? I have no idea. And is that — maybe — a fence at the left? Again, I have no idea.

It was fun to find this painting lurking among my old canvases, fun to wonder what it was I intended to do with the scene, fun to think about mixing those colors, and most of all fun to realize that I really like a lot about this picture. I don’t know what all those lines were all about, but I think I’ll keep this painting around for a while.

Now, as we enter the holiday season, best wishes to everyone! And, if you’re like me and are trying to get ready for all the festivities, happy housecleaning, too!

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About Judith

As an artist, author, and musician, I celebrate creativity and personal expression through all that I do. I invite you to join me as I explore many different aspects of life, love, beauty, and nature.

22 comments

  1. This idea of housecleaning your art has come to me twice today!

    Liked by 2 people

  2. Oh my gosh ! I love that summer scenes painting ! I feel kind of obsessed about it! It’s gorgeous ! I really like the little cabin, too, though it feels unfinished . But the magic of the summer painting ! Wow!

    Liked by 2 people

    • I just wish I knew what all my squiggly lines were about LOL. I actually do like so much of the painting, but what to do now with those squiggles? I’m glad you like it, too.

      Liked by 1 person

      • The squiggly lines make it . It actually kind of represents how I see the world . I don’t have vision problems . It’s that when I look in nature , I kind of “see” lines of energy, movement , light… To me, that’s what those lines bring in, that dancing movement of energy in nature . Not everything has to represent something concrete or even , really , be representative at all. Sometimes simply stirring something in us is enough , even if we can’t explain it .

        Liked by 1 person

      • I’m delighted you like my squigglies 🙂

        Like

  3. I’m a believer in keeping everything. I never know when I might look back on something and discover a solution to a problem I’m having today. In order to make that storage possible, I remove the canvases from the stretcher bars and then they can be stored either flat in a drawer or rolled up in whatever empty corner appears to want them. The stretcher bars can then be recycled with brand new canvas. It’s pretty easy to stretch canvas, but I do highly recommend an electric stapler if one is serious about doing it.

    Liked by 2 people

    • I occasionally paint on stretched canvas, but most of the time (especially for practice) I get canvas panels. That helps a bit with storage space. Since I’m still so new to oil painting, I think I learn from every canvas I paint… and I think, too, that at this point there’s only so much I can learn from each attempt. So, for me, re-using old panels for new practice paintings seems like a good thing. Later, when I have more experience, I might want to save more of my paintings.

      Like

  4. dawnmarie

    I’m right there with ya Judith.

    Liked by 1 person

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