I’m one of those annoying metaphysical-minded individuals who goes around spouting things like “When the student is ready, the teacher appears.” Maybe it’s true.
This thought has been on my mind quite a bit in recent weeks as I’ve slowly worked my way through Sketchbook Revival 2021, an event put together and hosted by Karen Abend. This is an online event — all free — which features artists from all over the world sharing various projects, and offering new learning experiences.
For the record, this year’s event has ended — the final day of online availability was April 18 — but I do have a listing of all the artists who presented workshops, so if there’s a particular activity you’re interested in, you can check the artist’s website and probably find information, a “demo course”, or a newsletter sign-up.
Where did I hear about Sketchbook Revival? I don’t know. I’m guessing it probably showed up in an email from one of the newsletters I receive. A lot of time I skip over newsletters without really reading them, but fortunately I must have opened this one and clicked on a link. I was surprised by all that I found waiting for me at Sketchbook Revival. The event included 29 different video tutorials — actual workshops, in my opinion — on everything from urban sketching to block printing.
Once I got over my surprise at finding so many creative programs — all for free — I was then surprised anew to learn that this was the fourth year for the event. The first Sketchbook Revival was held in 2018. So, where was I? At that point I was drawing and painting, I called myself “an artist”, so how did I miss out?
Aha! Here’s the metaphysical tie-in. Obviously, I wasn’t ready. In 2018 (or subsequent years) I probably couldn’t have fully appreciated all that Sketchbook Revival had to offer. Even now — 2021 – it was an emotional experience for me. It, in fact, became the basis of my recent “personal art therapy” explorations. Quite simply, I needed Sketchbook Revival. I was ready for it, and miraculously… not one, but 30 different teachers appeared, 29 presenters and 1 host.
I was excited from the start. The very first project you might recall from posts I’ve made was the hand-made sketchbook. Oh, what a dream come true that was for me! I loved the whole idea of creating a personal sketchbook just for the workshop experience.
But then, things went downhill for me. I found myself struggling to follow directions. Having already discovered the painful parts of my “inner art child“, I became — truly — an emotional wreck as many of the projects took me back to those frustrating days in school. Cutting. Pasting. Doing all those things I could never do.
For the first few days, my level of frustration continued to rise. But then we came to Urban Sketching, and things “loosened up” in my brain. I relaxed. I had fun. I enjoyed creating a little vignette with my gansai.
From there on, it was mostly smooth sailing through the rest of the workshops. The focus was very much on intuitive, meditative, quiet art, on learning to really get in touch with who we are and our own unique creative process.
Some information was quite technical, some workshop projects were a little wild, and some were simple enough that I’ll have fun doing the activities with our grandsons. Most of the classes I liked, some I loved, a few just weren’t for me, and needless to say, I wasn’t much of a fan of “Drawing Perspective Made Easy” by David Drazil. Nope. Sorry. Drawing perspective is not easy, but thanks for the project handouts. Maybe they will be helpful.
I learned that I don’t really care much for stamping and printing, although it would be fun to play with those ideas a bit more. Of course, as I’ve previously written, I was aghast at the idea of altering books, but then fell in love with making my own collage papers, part of the same workshop.
Overall, it was a good experience, and I’m now enrolled in several additional free classes offered by different instructors. My inner art child is beginning to heal through this process, I’ve learned a lot of new skills, and I think my understanding and awareness of my own creative ability has increased.
There were many different teaching styles among the presenters. Some rushed through demonstrations so quickly that it was nearly impossible to keep up. Others — like Trupti Karjinni — patiently demonstrated the techniques we would be using before we began our painting project. Some gave good step-by-step instructions; one presenter spent nearly the entire time casually chatting with the host instead of the viewers.
During the event, I made sketchbooks, a simple concertina, and lots of collage papers, so I certainly didn’t come away empty-handed. I also created a lot of playful, colorful art that’s now posted around my studio.
So, yes, it was definitely worth it, worth the initial tears and frustrations, worth the time invested, worth the effort to listen and learn. Now, I can’t wait for Sketchbook Revival 2022.
Here is the list of artists who offered online tutorials:
Joun Muir Laws
I’m not adding links to each artist, but a quick online search will lead you to their websites and give you all the information you need.
And those pears? Yes, they were part of a watercolor workshop, this one taught by Susan Chiang. I enjoyed her presentation.
Overall, I’m grateful to have found the Sketchbook Revival program, and I will definitely look forward to participating next year. Until then, I encourage each of you to explore the artists who presented different projects. Each has a lot to offer, so visit a few of their websites, sign up for the freebies they offer, and if you need any additional information about any specific artist on the list, please let me know.